CMS.407 Sound Studies
Explores the ways in which humans experience the realm of sound and how perceptions and technologies of sound emerge from cultural, economic, and historical worlds. Examines how environmental, linguistic, and musical sounds are construed cross-culturally. Describes the rise of telephony, architectural acoustics, and sound recording, and the globalized travel of these technologies. Addresses questions of ownership, property, authorship, and copyright in the age of digital file sharing. Particular focus on how the sound/noise boundary is imagined, created and modeled across diverse sociocultural and scientific contexts. Auditory examples--sound art, environmental recordings, music--will be provided and invited. Instruction and practice in written and oral communication provided. Limited to 20.
This class has no prerequisites.
This class counts for a total of 12 credits. This class counts as a HASS H.
You can find more information at the Undergraduate Studies: Comparative Media Studies – MIT Comparative Media Studies/Writing site.
© Copyright 2015 Yasyf Mohamedali